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© Oona Bovri / OnP
Felice Ross has designed lighting for numerous theater, opera, art installation and ballet productions in Europe, Korea, Israel, Great Britain, South Africa, Japan and the USA.
She has designed lighting for Tel-Aviv Opera (The Barber of Seville, Medium), Warsaw National Opera (The Queen of Spades, Don Carlo, Ubu Roi, Wozzeck), Bayerische Staatsoper Munich (Eugene Onegin, The Woman Without a Shadow, Tristan und Isolde, Dido and Aeneas), Staatsoper Unter den Linden Berlin (The Rake's Progress, Sleepless), La Monnaie Brussels (Médée, Macbeth, Lulu, Don Giovanni), Teatro Real Madrid (Poppea e Nerone), Festival d'Aix-en-Provence (Le Triomphe du temps et de la désillusion, L'Ange ardent), Amsterdam National Opera (Wozzeck), Grand Théâtre de Genève and Opéra de Gand (L'Affaire Makropoulos), Salzburg Festival (Les Bassarides, Elektra and Aida), Ruhrtriennale (Le Radeau de la Méduse, Ruhrtriennale (Le Radeau de la Méduse, Pelléas et Mélisande, Evolution with music by Ligeti), Opéra national du Rhin and Bunka Kaikan Tokyo (Le Pavillon d'or), Royal Opera House London (From the House of the Dead) and Hamburg State Opera (Tannhäuser). Since 1998, Felice Ross has collaborated with Krzysztof Warlikowski in theater and opera. In 2018 she was made a Companion of the Liverpool Institute of Performing Arts by Sir Paul McCartney.
Last season she designed the lighting for Tosca and Le Grand Macabre at the Bavarian State Opera in Munich, Rusalka at the Staatsoper Unter den Linden in Berlin and OMBRA at the Opéra Ballet de Flandre. In the 2024-2025 season, she will design the lighting for Kátia Kabanová at the Bavarian State Opera in Munich and Salomé at the Grand Théâtre de Genève.
At the Opéra national de Paris: Iphigénie en Tauride, 2006; L'Affaire Makropoulos, 2007; Parsifal, 2008; Le Roi Roger, 2009; Le Château de Barbe-Bleue / La Voix humaine, 2015; Don Carlos, 2017; Don Carlo, 2019; Lady Macbeth de Mzensk, 2019; A Quiet Place, 2022; Hamlet, 2023.
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